"Desde que a fotografia esteja enquadrada, o resto do mundo fica de fora. A presença virtual do resto do mundo e a sua evocação explícita são tão essenciais à experiência de uma fotografia como o que ela representa explicitamente."
"As long as the photography is framed, the rest of the world stays out. The virtual presence of the rest of the world and its explicit evocation is as essential to the experience of a photography as what it represents explicitly".
Cavel, Stanley, "The World Viewed", New York, 1971, p.24.
Quoted by Rosalind Krauss in "Stieglitz/Equivalents".
Quoted by Rosalind Krauss in "Stieglitz/Equivalents".
A partir desta citação, tentei explanar o conceito de campo/fora de campo: uma técnica cinematográfica que é aplicável à fotografia. Assim, criei situações que levassem a um imaginar que vai para além dos limites da própria fotografia, numa tentativa de dizer tudo sem mostrar nada. As grandes margens brancas da fotografia são também as margens de especulação dadas ao espectador.
From this quotation, I tried to explore the concept of field/out of field: a cinematographic technique applicable to photography. Therefore, I created situations that led to an imagination that goes beyond the limits of the photography itself, in a attempt of saying everything without showing anything. The large white borders of the photography are the borders of speculation given to the spectator as well.
From this quotation, I tried to explore the concept of field/out of field: a cinematographic technique applicable to photography. Therefore, I created situations that led to an imagination that goes beyond the limits of the photography itself, in a attempt of saying everything without showing anything. The large white borders of the photography are the borders of speculation given to the spectator as well.
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